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Janya Raga Born of Varunapriya · Mela 24

Two different ragas share the name Veeravasantam.

This page is the one born of Varunapriya (Mela 24). The other has the same name but a different parent and a different scale, so they do not sound alike: Veeravasantam · born of Varunapriya .

The Core Architecture of Veeravasantam

Hindustani notes are shown under each swara: a small letter is komal (r g d n), M is tivra Ma, a dot above is the upper octave.
Western note names are shown under each swara with Sa taken as C — the pitch this page plays.
Arohanam
S R2 G2 M1 P S^
Avarohanam
S^ N2 D2 P M1 G2 R2 S

Think a swara in the arohanam or avarohanam is wrong? Send us the correction — we review every suggestion, and accepted fixes are credited to you as a contributor.

Veeravasantam is a Janya Raga derived from Varunapriya (Melakarta 24) in Carnatic music. Its swaras are drawn from the parent scale Varunapriya, and the way it selects, omits or bends those swaras is what gives it a character of its own. Use the arohanam and avarohanam above as your starting point: play the scale slowly on the harmonium, hold each swara until the pitch settles, and only then sing it back.

Musical Mood and Character

Characteristics & Raga Bhava
Swara Nature
Sadharana Gandhara (G2) and Kaisiki Nishada (N2) give Veeravasantam its distinctive colour.

Every raga carries its own rasa — the emotional colour a listener feels before they can name a single swara. The clearest way to find the mood of Veeravasantam is to listen to it in context: play the scale slowly, then hear how composers have used it.

Essential Phrases for Practice

Start with the plain arohanam and avarohanam in slow speed, holding each swara until it is steady. Once the scale is secure, practise it against a shruti drone and only then move to gamaka-laden phrases. Whenever a phrase feels uncertain, go back to the scale and check yourself swara by swara before building speed.

Recognise Veeravasantam by Ear

Signature phrases

S R2 G2 M1 P Ṡ
Ṡ N2 D2 P M1 G2 R2 S

Derived from its arohanam and avarohanam

What makes it unique

On the way up it leaves out Dha, Ni. Sadharana Gandhara (G2) and Kaisiki Nishada (N2) give Veeravasantam its distinctive colour.

Hum a raga — Ilakku Music will name it

Similar Ragas

Ragas that share the scale of Veeravasantam or differ from it by one or two swaras. Tap Compare to see and hear them side by side.

Nadatarangini
Same swaras, in a different order
Compare
Anandabhairavi
Adds D2 going up (same avarohanam)
Compare
Bhagavatapriya
Adds N2 going up (same avarohanam)
Compare
Jayanarayani
Adds D2 going up (same avarohanam)
Compare
Karnaranjani
Adds D2 going up (same avarohanam)
Compare
Siddhasena
Adds D2 going up
Compare
Abheri
Leaves out Ri going up; adds N2 going up (same avarohanam)
Compare
Adi Kapi
Adds D2 going up; adds N2 going up (same avarohanam)
Compare
Bharati
Leaves out Dha coming down; leaves out Ni coming down (same arohanam)
Compare
Bhimpalasi
Leaves out Ri going up; adds N2 going up (same avarohanam)
Compare

Essential Compositions to Listen & Learn

Be the first to contribute

No compositions in Veeravasantam have been added yet. Know a kriti, a film song or a varnam in this raga? Add it and it becomes part of the Ilakku Music library.

Contribute a song in Veeravasantam
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