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Janya Raga Born of Harikambhoji · Mela 28

The Core Architecture of Surutti

Arohanam
S R2 M1 P N2 D2 N2 S^
Avarohanam
S^ N2 D2 P M1 G3 P M1 R2 S
Play Surutti on the harmonium

Think a swara in the arohanam or avarohanam is wrong? Send us the correction — we review every suggestion, and accepted fixes are credited to you as a contributor.

Surutti is a Janya Raga derived from Harikambhoji (Melakarta 28) in Carnatic music. Its swaras are drawn from the parent scale Harikambhoji, and the way it selects, omits or bends those swaras is what gives it a character of its own. Use the arohanam and avarohanam above as your starting point: play the scale slowly on the harmonium, hold each swara until the pitch settles, and only then sing it back.

Musical Mood and Character

Characteristics & Raga Bhava
Rasa / Bhava
Shringara — settled affection.
Swara Nature
Kaisiki Nishada (N2) gives Surutti its distinctive colour.

Rasa: shringara — settled affection. Surutti is a janya of Harikambhoji with a vakra structure and characteristic phrases around the nishadam and panchamam. It moves at an unhurried pace and avoids dramatic contrast.

It is traditionally sung towards the end of a concert and is considered an auspicious raga. Its warmth is established rather than newly felt.

Essential Phrases for Practice

Start with the plain arohanam and avarohanam in slow speed, holding each swara until it is steady. Once the scale is secure, practise it against a shruti drone and only then move to gamaka-laden phrases. Whenever a phrase feels uncertain, go back to the scale and check yourself swara by swara before building speed.

Essential Compositions to Listen & Learn

Be the first to contribute

No compositions in Surutti have been added yet. Know a kriti, a film song or a varnam in this raga? Add it and it becomes part of the Ilakku Music library.

Contribute a song in Surutti
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