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Janya Raga Born of Chakravakam · Mela 16

Two different ragas share the name Subhashini.

This page is the one born of Chakravakam (Mela 16). The other has the same name but a different parent and a different scale, so they do not sound alike: Subhashini · born of Chakravakam .

The Core Architecture of Subhashini

Hindustani notes are shown under each swara: a small letter is komal (r g d n), M is tivra Ma, a dot above is the upper octave.
Western note names are shown under each swara with Sa taken as C — the pitch this page plays.
Arohanam
S D2 N2 D R1 G3 M1 P
Avarohanam
M1 G3 R1 S N2 D2 N2 S^

Think a swara in the arohanam or avarohanam is wrong? Send us the correction — we review every suggestion, and accepted fixes are credited to you as a contributor.

Subhashini is a Janya Raga derived from Chakravakam (Melakarta 16) in Carnatic music. Its swaras are drawn from the parent scale Chakravakam, and the way it selects, omits or bends those swaras is what gives it a character of its own. Use the arohanam and avarohanam above as your starting point: play the scale slowly on the harmonium, hold each swara until the pitch settles, and only then sing it back.

Musical Mood and Character

Characteristics & Raga Bhava
Swara Nature
Kaisiki Nishada (N2) and Shuddha Rishabha (R1) give Subhashini its distinctive colour.

Every raga carries its own rasa — the emotional colour a listener feels before they can name a single swara. The clearest way to find the mood of Subhashini is to listen to it in context: play the scale slowly, then hear how composers have used it.

Essential Phrases for Practice

Start with the plain arohanam and avarohanam in slow speed, holding each swara until it is steady. Once the scale is secure, practise it against a shruti drone and only then move to gamaka-laden phrases. Whenever a phrase feels uncertain, go back to the scale and check yourself swara by swara before building speed.

Recognise Subhashini by Ear

Signature phrases

S D2 N2 D R1 G3 M1 P
M1 G3 R1 S N2 D2 N2 Ṡ

Derived from its arohanam and avarohanam

What makes it unique

On the way down it leaves out Pa. Its scale zigzags (vakra), so the order of the notes is part of its identity. Kaisiki Nishada (N2) and Shuddha Rishabha (R1) give Subhashini its distinctive colour.

Hum a raga — Ilakku Music will name it

Similar Ragas

Ragas that share the scale of Subhashini or differ from it by one or two swaras. Tap Compare to see and hear them side by side.

Ahir Bhairavi
Adds P coming down
Compare
Bhujangini
Leaves out Pa going up
Compare
Chakravakam
Adds P coming down
Compare
Guhapriya
Adds P coming down
Compare
Kokila
Leaves out Pa going up
Compare
Mukthangi
Adds P coming down
Compare
Toyavegavahini
Adds P coming down
Compare
Ahiri
Adds P coming down; D1 instead of D2, both ways
Compare
Alankarapriya
G2 instead of G3, both ways; leaves out Pa going up
Compare
Aparoopam
R2 instead of R1, both ways; leaves out Ni coming down
Compare

Essential Compositions to Listen & Learn

Be the first to contribute

No compositions in Subhashini have been added yet. Know a kriti, a film song or a varnam in this raga? Add it and it becomes part of the Ilakku Music library.

Contribute a song in Subhashini
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