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Janya Raga Born of Rishabhapriya · Mela 62

Two different ragas share the name Rathipriya.

This page is the one born of Rishabhapriya (Mela 62). The other has the same name but a different parent and a different scale, so they do not sound alike: Rathipriya · born of Rishabhapriya .

The Core Architecture of Rathipriya

Hindustani notes are shown under each swara: a small letter is komal (r g d n), M is tivra Ma, a dot above is the upper octave.
Western note names are shown under each swara with Sa taken as C — the pitch this page plays.
Arohanam
S R2 G3 M2 P D1 N2 S^
Avarohanam
S^ N2 D1 P m2 G3 R2 S

Think a swara in the arohanam or avarohanam is wrong? Send us the correction — we review every suggestion, and accepted fixes are credited to you as a contributor.

Rathipriya is a Janya Raga derived from Rishabhapriya (Melakarta 62) in Carnatic music. Its swaras are drawn from the parent scale Rishabhapriya, and the way it selects, omits or bends those swaras is what gives it a character of its own. Use the arohanam and avarohanam above as your starting point: play the scale slowly on the harmonium, hold each swara until the pitch settles, and only then sing it back.

Musical Mood and Character

Characteristics & Raga Bhava
Swara Nature
Shuddha Dhaivata (D1), Prati Madhyama (M2) and Kaisiki Nishada (N2) give Rathipriya its distinctive colour.

Every raga carries its own rasa — the emotional colour a listener feels before they can name a single swara. The clearest way to find the mood of Rathipriya is to listen to it in context: play the scale slowly, then hear how composers have used it.

Essential Phrases for Practice

Start with the plain arohanam and avarohanam in slow speed, holding each swara until it is steady. Once the scale is secure, practise it against a shruti drone and only then move to gamaka-laden phrases. Whenever a phrase feels uncertain, go back to the scale and check yourself swara by swara before building speed.

Recognise Rathipriya by Ear

Signature phrases

S R2 G3 M2 P D1 N2 Ṡ
Ṡ N2 D1 P m2 G3 R2 S

Derived from its arohanam and avarohanam

What makes it unique

Shuddha Dhaivata (D1), Prati Madhyama (M2) and Kaisiki Nishada (N2) give Rathipriya its distinctive colour.

Hum a raga — Ilakku Music will name it

Similar Ragas

Ragas that share the scale of Rathipriya or differ from it by one or two swaras. Tap Compare to see and hear them side by side.

Rishabhapriya
Same arohanam and avarohanam
Compare
Rathnabhanu
Leaves out Ga going up (same avarohanam)
Compare
Bhooshavathi
D2 instead of D1, both ways
Compare
Charukesi
M1 instead of M2, both ways
Compare
Chirswaroopi
M1 instead of M2, both ways
Compare
Geethapriya
N3 instead of N2, both ways
Compare
Gopriya
Leaves out Pa, both ways
Compare
Jyotiswarupini
R3 instead of R2, both ways
Compare
Kananapriya
N3 instead of N2, both ways
Compare
Kantamani
N1 instead of N2, both ways
Compare

Essential Compositions to Listen & Learn

Be the first to contribute

No compositions in Rathipriya have been added yet. Know a kriti, a film song or a varnam in this raga? Add it and it becomes part of the Ilakku Music library.

Contribute a song in Rathipriya
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