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Janya Raga Born of Kamavardhini · Mela 51

The Core Architecture of Mandari

Hindustani notes are shown under each swara: a small letter is komal (r g d n), M is tivra Ma, a dot above is the upper octave.
Western note names are shown under each swara with Sa taken as C — the pitch this page plays.
Arohanam
S R1 G3 M2 P N3 S^
Avarohanam
S^ N3 P M2 G3 R1 S

Think a swara in the arohanam or avarohanam is wrong? Send us the correction — we review every suggestion, and accepted fixes are credited to you as a contributor.

Mandari is a Janya Raga derived from Kamavardhini (Melakarta 51) in Carnatic music. Its swaras are drawn from the parent scale Kamavardhini, and the way it selects, omits or bends those swaras is what gives it a character of its own. Use the arohanam and avarohanam above as your starting point: play the scale slowly on the harmonium, hold each swara until the pitch settles, and only then sing it back.

Musical Mood and Character

Characteristics & Raga Bhava
Swara Nature
Prati Madhyama (M2) and Shuddha Rishabha (R1) give Mandari its distinctive colour.

Every raga carries its own rasa — the emotional colour a listener feels before they can name a single swara. The clearest way to find the mood of Mandari is to listen to it in context: play the scale slowly, then hear how composers have used it.

Essential Phrases for Practice

Start with the plain arohanam and avarohanam in slow speed, holding each swara until it is steady. Once the scale is secure, practise it against a shruti drone and only then move to gamaka-laden phrases. Whenever a phrase feels uncertain, go back to the scale and check yourself swara by swara before building speed.

Recognise Mandari by Ear

Signature phrases

S R1 G3 M2 P N3 Ṡ
Ṡ N3 P M2 G3 R1 S

Derived from its arohanam and avarohanam

What makes it unique

It never uses Dha. Prati Madhyama (M2) and Shuddha Rishabha (R1) give Mandari its distinctive colour.

Hum a raga — Ilakku Music will name it

Similar Ragas

Ragas that share the scale of Mandari or differ from it by one or two swaras. Tap Compare to see and hear them side by side.

Hamsanarayani
Leaves out Ni going up (same avarohanam)
Compare
Ponni
Leaves out Ri going up (same avarohanam)
Compare
Pooshakalyani
Adds D3 going up (same avarohanam)
Compare
Vamshavathi
Adds D3 going up (same avarohanam)
Compare
Amritavarshini
Leaves out Ri, both ways
Compare
Gamanashrama
Adds D2, both ways
Compare
Kamavardhini
Adds D1, both ways
Compare
Mechakangi
Adds D2, both ways
Compare
Puriya Dhanashree
Adds D1, both ways
Compare
Rathnakanthi
R2 instead of R1, both ways
Compare

Essential Compositions to Listen & Learn

Be the first to contribute

No compositions in Mandari have been added yet. Know a kriti, a film song or a varnam in this raga? Add it and it becomes part of the Ilakku Music library.

Contribute a song in Mandari
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