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Janya Raga Born of Harikambhoji · Mela 28

The Core Architecture of Kamas

Arohanam
S M1 G3 M1 P D2 N2 S^
Avarohanam
S^ N2 D2 P M1 G3 R2 S
Play Kamas on the harmonium

Think a swara in the arohanam or avarohanam is wrong? Send us the correction — we review every suggestion, and accepted fixes are credited to you as a contributor.

Kamas is a Janya Raga derived from Harikambhoji (Melakarta 28) in Carnatic music. Its swaras are drawn from the parent scale Harikambhoji, and the way it selects, omits or bends those swaras is what gives it a character of its own. Use the arohanam and avarohanam above as your starting point: play the scale slowly on the harmonium, hold each swara until the pitch settles, and only then sing it back.

Musical Mood and Character

Characteristics & Raga Bhava
Rasa / Bhava
Shringara — love in its lighter register.
Swara Nature
Kaisiki Nishada (N2) gives Kamas its distinctive colour.

Rasa: shringara — love in its lighter register. Kamas is a janya of Harikambhoji, using both nishadams and omitting rishabham in the ascent. Its movement is light and its phrases resolve quickly, so it does not accumulate the weight that a raga like Bhairavi does.

It appears constantly in padams, javalis, thillanas and film music, where the sentiment is romantic rather than devotional.

Essential Phrases for Practice

Start with the plain arohanam and avarohanam in slow speed, holding each swara until it is steady. Once the scale is secure, practise it against a shruti drone and only then move to gamaka-laden phrases. Whenever a phrase feels uncertain, go back to the scale and check yourself swara by swara before building speed.

Essential Compositions to Listen & Learn

Be the first to contribute

No compositions in Kamas have been added yet. Know a kriti, a film song or a varnam in this raga? Add it and it becomes part of the Ilakku Music library.

Contribute a song in Kamas
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