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Janya Raga Born of Kharaharapriya · Mela 22 1 song

Two different ragas share the name Bageshri.

This page is the one born of Kharaharapriya (Mela 22). The other has the same name but a different parent and a different scale, so they do not sound alike: Bageshri · born of Kharaharapriya .

The Core Architecture of Bageshri

Hindustani notes are shown under each swara: a small letter is komal (r g d n), M is tivra Ma, a dot above is the upper octave.
Western note names are shown under each swara with Sa taken as C — the pitch this page plays.
Arohanam
S G2 M1 D2 N2 S^
Avarohanam
S^ N2 D2 M1 P G2 M1 R2 S

Think a swara in the arohanam or avarohanam is wrong? Send us the correction — we review every suggestion, and accepted fixes are credited to you as a contributor.

Bageshri is a Janya Raga derived from Kharaharapriya (Melakarta 22) in Carnatic music. Its swaras are drawn from the parent scale Kharaharapriya, and the way it selects, omits or bends those swaras is what gives it a character of its own. Use the arohanam and avarohanam above as your starting point: play the scale slowly on the harmonium, hold each swara until the pitch settles, and only then sing it back.

Musical Mood and Character

Characteristics & Raga Bhava
Swara Nature
Sadharana Gandhara (G2) and Kaisiki Nishada (N2) give Bageshri its distinctive colour.

Every raga carries its own rasa — the emotional colour a listener feels before they can name a single swara. The clearest way to find the mood of Bageshri is to listen to it in context: play the scale slowly, then hear how composers have used it.

Is Bageshri Your Name?

Bageshri Bagesri

Bageshri is named for the raga, whose character comes from its own choice of swaras — sadharana Gandhara (G2) and Kaisiki Nishada (N2) give Bageshri its distinctive colour.

The same name is romanised more than one way — Bageshri, Bagesri are all the same name, and all of them point back to this raga.

Find the raga behind your name

Essential Phrases for Practice

Start with the plain arohanam and avarohanam in slow speed, holding each swara until it is steady. Once the scale is secure, practise it against a shruti drone and only then move to gamaka-laden phrases. Whenever a phrase feels uncertain, go back to the scale and check yourself swara by swara before building speed.

Signature Swarams

Bageshri
Signature phrases
G2M1D2N2D2
From Ga, up to Ni and back down to Dha

Recognise Bageshri by Ear

Signature phrases

S G M D N Ṡ
Ṡ N D M P G M R S
G M D N D

Swaras it dwells on

Ga · Ma

What makes it unique

An evening raga of longing, with the turn M P G M R S.

Hum a raga — Ilakku Music will name it

Similar Ragas

Ragas that share the scale of Bageshri or differ from it by one or two swaras. Tap Compare to see and hear them side by side.

Kowshika
Leaves out Pa coming down (same arohanam)
Compare
Shree Manoranjani
Leaves out Pa coming down (same arohanam)
Compare
Devamruthavarshani
Adds R2 going up
Compare
Dwaithachintamani
G3 instead of G2, both ways
Compare
Malavashree
Adds P going up
Compare
Nadachintamani
Adds R2 going up
Compare
Phalamanjari
Leaves out Ni going up
Compare
Reethigowla
Adds R2 going up
Compare
Swarakalanidhi
Adds P going up
Compare
Karnataka Hindolam
Leaves out Ri coming down; leaves out Pa coming down (same arohanam)
Compare

Essential Compositions to Listen & Learn

All Bageshri songs on Ilakku Music
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