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Janya Raga Born of Harikambhoji · Mela 28

Two different ragas share the name Aparoopam.

This page is the one born of Harikambhoji (Mela 28). The other has the same name but a different parent and a different scale, so they do not sound alike: Aparoopam · born of Harikambhoji .

The Core Architecture of Aparoopam

Hindustani notes are shown under each swara: a small letter is komal (r g d n), M is tivra Ma, a dot above is the upper octave.
Western note names are shown under each swara with Sa taken as C — the pitch this page plays.
Arohanam
S R2 G3 m1 P N2 D2 N2 S^
Avarohanam
S^ D2 M1 G3 R2 G3 S

Think a swara in the arohanam or avarohanam is wrong? Send us the correction — we review every suggestion, and accepted fixes are credited to you as a contributor.

Aparoopam is a Janya Raga derived from Harikambhoji (Melakarta 28) in Carnatic music. Its swaras are drawn from the parent scale Harikambhoji, and the way it selects, omits or bends those swaras is what gives it a character of its own. Use the arohanam and avarohanam above as your starting point: play the scale slowly on the harmonium, hold each swara until the pitch settles, and only then sing it back.

Musical Mood and Character

Characteristics & Raga Bhava
Swara Nature
Kaisiki Nishada (N2) gives Aparoopam its distinctive colour.

Every raga carries its own rasa — the emotional colour a listener feels before they can name a single swara. The clearest way to find the mood of Aparoopam is to listen to it in context: play the scale slowly, then hear how composers have used it.

Essential Phrases for Practice

Start with the plain arohanam and avarohanam in slow speed, holding each swara until it is steady. Once the scale is secure, practise it against a shruti drone and only then move to gamaka-laden phrases. Whenever a phrase feels uncertain, go back to the scale and check yourself swara by swara before building speed.

Recognise Aparoopam by Ear

Signature phrases

S R2 G3 m1 P N2 D2 N2 Ṡ
Ṡ D2 M1 G3 R2 G3 S

Derived from its arohanam and avarohanam

What makes it unique

On the way down it leaves out Pa, Ni. Its scale zigzags (vakra), so the order of the notes is part of its identity. Kaisiki Nishada (N2) gives Aparoopam its distinctive colour.

Hum a raga — Ilakku Music will name it

Similar Ragas

Ragas that share the scale of Aparoopam or differ from it by one or two swaras. Tap Compare to see and hear them side by side.

Ambhojini
Leaves out Pa going up; leaves out Ni going up
Compare
Chandrahasitham
Leaves out Pa going up; adds N2 coming down
Compare
Chenjurutti
Adds P coming down; adds N2 coming down
Compare
Eeshamanohari
Adds P coming down; adds N2 coming down
Compare
Harikambhoji
Adds P coming down; adds N2 coming down
Compare
Harikedaragowla
Adds P coming down; adds N2 coming down
Compare
Harikedaram
Adds P coming down; adds N2 coming down
Compare
Hemasaranga
Adds P coming down; leaves out Dha coming down
Compare
Jhinjoti
Adds P coming down; adds N2 coming down
Compare
Karnataka Behag
Adds P coming down; adds N2 coming down
Compare

Essential Compositions to Listen & Learn

Be the first to contribute

No compositions in Aparoopam have been added yet. Know a kriti, a film song or a varnam in this raga? Add it and it becomes part of the Ilakku Music library.

Contribute a song in Aparoopam
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